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      <image:caption>11/14/17 Fisher Building Albert Kahn,1928 Irregular gelatin silver contact print</image:caption>
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      <image:title>Plates - Fisher Building</image:title>
      <image:caption>11/14/17 Albert Kahn,1928 Irregular gelatin silver contact print</image:caption>
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      <image:title>Plates - Detroit Cornice and Slate</image:title>
      <image:caption>11/19/17 Harry R. Dill, 1897 Irregular gelatin silver contact print</image:caption>
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      <image:title>Plates - Wayne County Courthouse&amp;nbsp;</image:title>
      <image:caption>11/16/18 John and Arthur Scott, 1897-1902 Irregular gelatin silver contact print</image:caption>
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      <image:title>Plates - Michigan Consolidated Gas Building, 11/29/17</image:title>
      <image:caption>Michigan Consolidated Gas Building Minoru Yamasaki, 1963 Irregular gelatin silver contact print The architect, (World Trade Center, 1973-2001) believed this building should be a civic ornament. Completed in 1963, it rises from a marble platform with a 30 foot high glass enclosed lobby with marble columns and reflecting pool. Giving form and texture to the exterior walls, Yamasaki used precast prestressed concrete panels. Two stories in height, the panels were joined at the center of the windows. These openings are extended hexagons, so designed to emphasize verticality and eliminate the feeling of acrophobia when one is high in the building, even though the glass extends nearly to the floor.￼ (Hawkins Ferry)</image:caption>
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      <image:title>Plates - Monument to Joe Louis, The Renaissance Center, 11/28/17</image:title>
      <image:caption>Monument to Joe Louis, 1986 Robert Graham Graham referred to the sculpture as a “battering ram.” The Fist was symbolically aimed toward racial injustice because of Joe Louis’ effort to fight Jim Crow laws. The Renaissance Center, 1977, John Portman- Though this confusing piece of architecture did bring some economic growth to the city within its first year, the true “renaissance” of Detroit began well after this “City Within a City,” arose. Monument to Joe Louis, 1986 Robert Graham Graham referred to the sculpture as a “battering ram.” The Fist was symbolically aimed toward racial injustice because of Joe Louis’ effort to fight Jim Crow laws.</image:caption>
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      <image:title>Plates - National Theatre, 1/12/17</image:title>
      <image:caption>Albert Kahn with Ernest Wilbur, 1911 Irregular gelatin silver contact print This survivor from 1911 is the only existing theatre designed by Kahn, and the only remaining example from Detroit’s first theatre district. It’s twin 63 foot gold domed towers consist of airy grill work with a grand Romanesque arch dominating the main entrance. It features flanking eagles, cupids and carved stone rosettes. The front elevation is clad in white terra cotta.</image:caption>
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      <image:title>Plates - Albert Kahn’s Columns, 12/21/17</image:title>
      <image:caption>The General Motors Building 1921-1923 400 piece composite negative  10x10” gelatin silver contact print</image:caption>
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      <image:title>Plates - Corporation Laboratories, 12/23/17</image:title>
      <image:caption>General Motors Building  320 piece composite negative  Split toned #8x10 gelatin silver contact print</image:caption>
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      <image:title>Plates - Fyfe’s Shoe Store, 12/7/17</image:title>
      <image:caption>Fyfe’s Shoe Store, 1919 South Elevation Smith, Hinchman, Grylls with monument to Hazel S. Pingree ( The Idol of the People) #8x10 gelatin silver contact print Cass Gilberts Woolworth building 1913 in New York established a precedent for Gothic commercial architecture. Fyfe’s Shoe Store in Detroit built in 1919, continued that tradition in a 14 story structure. Designed by Smith, Hinchman and Grylls, this handsome building with soaring vertical lines and deep window reveals stands as a landmark at the head of the busy thoroughfares that converge at Grand Circus Park. (Hawkins Ferry)</image:caption>
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      <image:title>Plates - Detroit Mash, 12/5/17</image:title>
      <image:caption>320 piece composite negative  #8x10 gelatin silver contact print</image:caption>
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      <image:title>Plates - Spirit of Detroit, 12/15/17</image:title>
      <image:caption>Irregular gelatin silver contact print  Spirit of Detroit,1958 Marshall Fredericks Bronze Cast in Oslo, Norway, this 26 foot sculpture was the largest cast bronze statue since the Renaissance when it was installed in 1958. “The artist expresses the concept that God, through the spirit of man is manifested in the family, the noblest human relationship.”</image:caption>
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